“Dissociation” in Desmond Stewart’s Leopard in the Grass

  • Aziz Y. Al-Muttalibi Head of English Department, Al- Mansour University College Baghdad
Keywords: dissociation, imperial ideology, the alien, non-prejudiced, disaffection, vertical level, the Club, racial prejudice, incomprehension, justice


This paper intends toexplore ‘dissociation’ as the literary idea structuring Stewart’s novel.(1) The paper discusses this organizing idea on both structural and thematic levels. Some allusions to parallel instances in contemporary    fiction    are    worked  out    to   enhance     the narrative conclusions of the study.

In a strangely unique sense, Stewart’s novel strikes a historical note in as much as the narrative events occur within the temporal span of the 1950s and a  topographical reality in as much as the events and characters move  on the soil of Cyropolisand Media names that respectively stand for Baghdad andIraq.

It may be noted that the imperial ideology is a sophisticated act. It has worked and flourished under the guises and assurances that the British arenot striving for so degrading thing as money.(2) Yet, this is one aspectof imperial reality. Another one is a sense of some painfully sought technical superiority that suffers when the intruders confront the alien. That some enlightened and non-prejudiced British individuals are disturbed by the devious workings of their own culture-patterns ultimately substantiates that dismaying destructiveness which damages the pretended uniformity of the group. But when the concept of cultural relativity   is   totally   absent,   we   will     have      that dissociative act of racial conflict which is more damaging in its disruptive reality.

The Kind of analysis being shown here requires a thoroughly different approach from that of the model adopted in Barthes's "Textural Analysis" of Poe's tale: ''The Facts in the Case of M. Valdemar''.(3)


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